Have you ever arrived at a service only to discover that:a.Your Hymnbook is MISSING, AGAIN!!b.The singer has decided, AT THE LAST MINUTE, to change the Hymns, AGAIN?c.Or with the current state of your Hymnbook, it might be a good idea to leave it in your bag - For the sake of PRESERVATION.Sure, you could sit down and manage: But to all the Faithful believers around the world, THE WAIT IS OVER, \"O TI DE O!\".The App is a mobile Hymn based on the Cherubim and Seraphim Hymn Book - 2ND Edition. Available on Tablet and Handset; supports both English and Yoruba language. The App offers easy searching through hymns, categories, favourites, Index, social sharing, and more.Add your own favorites, bookmarks. Customize your reading experience. Access everything online and offline.READ THE HYMN* Set your Hymn App's interface for your choiceof language - YORUBA or ENGLISH.* Easily select and SEARCH THROUGH hundreds of HYMNS with EASE - By Index, Hymn's or Category; all in Yoruba & English.*Offline Hymn: Read even without network access.USE THE HYMN WITH YOUR FRIENDS* Highlight and share your favorite hymns with friends using social networks, email, or SMS (text).CUSTOMIZE YOUR HYMN* Highlight and copy Hymns- just like a paperHymn.* Bookmark your favorites Hymn's - So you can easily access your most cherished hymns.CONNECT WITH SOGAPPS* Contact support from directly inside the C&SHYMN'SApp.* Like our Page on Facebook: SOGApps* Follow us on Twitter: * Catch up on the latest on our blog: note: We cannot respond to questions asked in reviews. Support requests and questions can be sent to the support site linked below.Download the MUST HAVE C&SHYMN's App now and enjoythe Spiritual-Hymns reading experience loved by millions!
2 Holy, holy, holy! All the saints adore thee,casting down their golden crowns around the glassy sea;cherubim and seraphim falling down before thee,which wert and art and evermore shalt be.
cherubim and seraphim hymn book for download
Educated at Brasenose College, Oxford, Heber was ordained in the Church of England in 1807. He first served his family's parish in Hodnet, Shropshire (1807-1823), and in 1823 his dream of being a missionary was fulfilled when he was appointed bishop of Calcutta. He worked and traveled ceaselessly until his sudden death in 1826. Heber began writing hymns partly because of his dissatisfaction with the poor psalm singing in his congregation and partly because he was influenced by the vital hymn singing among Methodists and Baptists. He wrote hymns while in Hodnet and expressed a desire to compile a hymnbook with its contents appropriate to the church year. His fifty-seven hymn texts were published posthumously by his wife in Hymns Written and Adapted to the Weekly Church Services of the Year (1827), a hymnbook that began a tradition of arranging the contents of hymn collections according to the church year.
Spread over eight chapters, the book explores how members of the Ayo ni O (Cherubim and Seraphim) churches have used musical and religious media such as hymn books, cassette tapes and other recordings, and clothing and architectural space to reproduce themselves as Christian subjects. These materials have mediated religious experiences for church members, drawing them closer to God, to church history, and to each other. At the same time, religious and musical media have provided means through which church members develop an ethical self that enables them to interpret and apply the lessons learned through embodied and affective participation in church worship to issues and situations that they face in their own lives. The practices through which church members cultivate such moral and ethical dispositions, which include attending choir rehearsals and bible study sessions, are adequately discussed in the last few sections of the book.
Music in the form of songs and hymns is indispensable in the buildup to religious events. When the songs become amplified, it is expected that the melody combines in activating the sacred or worship spaces, making it possible to summon various spiritual entities to come and provide their needed presence at the event. Against that backdrop, this book examines musical and ritual performance in the context of worship by members of the Cherubim and Seraphim church of Nigeria. Through ethnographic and historical analysis, Brennan demonstrates that songs are the medium through which "religious experiences and beliefs were materialized and made available to church members." In this manner, members of the church are bound to one another and to a set of moral ideals as articulated by church authority through the means of "aestheticized sensational form." This book further provides detailed ethnographic analysis of the relationships between musical sound, text produced in and about music, and the social contexts for musical performance, in order to understand how music becomes an efficacious practice for church members.
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